The film beautifully uses aerial circus acts as a metaphor for the terrifying, exhilarating act of letting go and trusting someone else. 🎠Cast and Key Crew Director & Writer: Patricia Rozema Camille Baker: Pascale Bussières Petra Soft: Rachael Crawford Martin: Henry Czerny Cinematographer: Douglas Koch Music Composer: Lesley Barber 📊 Critical Reception
(internationally released as When Night Is Falling ) is a landmark 1995 Canadian romantic drama directed by Patricia Rozema . The film is celebrated for its lush, dreamlike visual style and its tender, unapologetic exploration of a woman's sexual awakening.
Reviewers like Roger Ebert felt the final act became slightly contrived. 📺 How to Watch
Rozema deliberately made the fiancé, Martin, a kind and understanding person. She wanted Camille's pivot toward Petra to be motivated by genuine desire rather than an escape from a bad heterosexual relationship.
Camille’s academic world is depicted in muted, cold tones, while Petra’s circus world explodes with rich reds, golds, and deep blues.
Wenn: Die Nacht Beginnt
The film beautifully uses aerial circus acts as a metaphor for the terrifying, exhilarating act of letting go and trusting someone else. 🎠Cast and Key Crew Director & Writer: Patricia Rozema Camille Baker: Pascale Bussières Petra Soft: Rachael Crawford Martin: Henry Czerny Cinematographer: Douglas Koch Music Composer: Lesley Barber 📊 Critical Reception
(internationally released as When Night Is Falling ) is a landmark 1995 Canadian romantic drama directed by Patricia Rozema . The film is celebrated for its lush, dreamlike visual style and its tender, unapologetic exploration of a woman's sexual awakening. Wenn die Nacht beginnt
Reviewers like Roger Ebert felt the final act became slightly contrived. 📺 How to Watch The film beautifully uses aerial circus acts as
Rozema deliberately made the fiancé, Martin, a kind and understanding person. She wanted Camille's pivot toward Petra to be motivated by genuine desire rather than an escape from a bad heterosexual relationship. Reviewers like Roger Ebert felt the final act
Camille’s academic world is depicted in muted, cold tones, while Petra’s circus world explodes with rich reds, golds, and deep blues.