Tom_horn_cb01_gold_hd_1980

The trap was set not with bullets, but with words and lies. Framed for a crime he didn’t commit—the killing of a young boy—Tom found himself facing the same law he had once enforced. His final ride wasn't across the plains, but to the gallows in Cheyenne, a victim of the very civilization he had helped secure.

He had come to the Iron Mountain region at the behest of the powerful Cattlemen's Association, hired to stop the rustling that was bleeding them dry. They wanted the rustlers gone, by any means necessary, but they didn't want to know the details. Tom understood the code; he was a scalpel, designed to cut out the infection, not to be loved for it. Tom_Horn_cb01_gold_HD_1980

Tom Horn (1980) is a somber, gritty portrait of a man who outlived his era, a cinematic testament to the end of the frontier. The trap was set not with bullets, but with words and lies

The trap was set not with bullets, but with words and lies. Framed for a crime he didn’t commit—the killing of a young boy—Tom found himself facing the same law he had once enforced. His final ride wasn't across the plains, but to the gallows in Cheyenne, a victim of the very civilization he had helped secure.

He had come to the Iron Mountain region at the behest of the powerful Cattlemen's Association, hired to stop the rustling that was bleeding them dry. They wanted the rustlers gone, by any means necessary, but they didn't want to know the details. Tom understood the code; he was a scalpel, designed to cut out the infection, not to be loved for it.

Tom Horn (1980) is a somber, gritty portrait of a man who outlived his era, a cinematic testament to the end of the frontier.